Content Updated On : 2022-07-02

I like to think about machines and technology in relation to landscape and architecture.

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Mies van der Rohe's architecture and modern architecture in general suffered from not only being repetitive, but not explaining to the populous what the different rooms were for.

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Inherent in architecture, it involves everything in life so that there is absolutely no end to it. By the time you're seventy or eighty, you're still beginning. So, that's the kind of life I've preferred to being the expert at forty and dead, you know.

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You can just drift unhappily towards this vision of heaven on earth, and ultimately that is what architecture is a vision of: Heaven on earth, at it's best.

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The overall experience Skype provided was superior to other folks because of the underlying architecture and the ability to provide a superior experience.

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Architects have made architecture too complex. We need to simplify it and use a language that everyone can understand.

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Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.

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You can never draw enough or read enough - reading about architecture, in other words.

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I'm really into architecture, I'm a member of the Brutalist Appreciation Society; I'm a member of the Postmodern Society. I write letters to save buildings.

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My private work is touched by this destiny of understanding that architecture and engineering have a social character and can serve the community.

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People can inhabit anything. And they can be miserable in anything and ecstatic in anything. More and more I think that architecture has nothing to do with it. Of course, that's both liberating and alarming.

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Make big plans; aim high in hope and work, remembering that a noble, logical diagram once recorded will not die, but long after we are gone be a living thing, asserting itself with ever-growing insistence.

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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.

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Being interested in other fields and meeting experts outside entertainment - whether it's a two-hour conversation with John Nash that turns into 'A Beautiful Mind' or talking to people in architecture or fashion, CIA directors or Nobel laureates - has given me a better sense of which ideas feel authentic and new.

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I studied architecture in New York. So, really I was very moved, like everyone else, to try to contribute something that has that resonance and profundity of it means to all of us.

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The building of the architecture of a novel - the craft of it - is something I never tire of.

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Charleston has something for everyone, rain or shine. Its architecture is unparalleled. Carriage rides are great for seeing the city and hearing the history behind certain houses and the area.

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I got a New York designer to build my dream store here, which is a little bit of Florence in New York. It's like the Duomo on Madison. I got inspired by Santa Maria Novella and all the Renaissance architecture.

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I think New Orleans is such a beautiful city. It looks like a fairytale when you walk through the French Quarter or the Garden District. There is such a lush sense of color, style, architecture - and the people themselves.

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It's not new that architecture can profoundly affect a place, sometimes transform it. Architecture and any art can transform a person, even save someone.

30 minutes

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